Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of CARIANI 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
98207 Countryside concert CARIANI Countryside concert circa 1517(1517) Medium oil on canvas Dimensions 88 x 163 cm cyf
30976 Portrait de deux jeunes gentilhommes venitiens CARIANI Portrait de deux jeunes gentilhommes venitiens mk70 Toile H.0.44 L.0.63 Paris,Musee du Louvre
43051 Portrait of Francesco Albani CARIANI Portrait of Francesco Albani mk170 circa 1520 Oil on canvas 108.6x83.2cm
20201 Portrait of Two Young Men (mk05) CARIANI Portrait of Two Young Men (mk05) Canvas,17 1/2 x 25''(45 x 63 cm).From the collections of Charles Iand Louis XIV;entered the Louvre before 1683
5821 Portrait of Two Young Men fd CARIANI Portrait of Two Young Men fd Oil on canvas Mus??e du Louvre, Paris
5822 Reclining Woman in a Landscape fd CARIANI Reclining Woman in a Landscape fd 1520-24 Oil on canvas, 74 x 94 cm Staatliche Museen, Berlin
51195 Sacred Conversation CARIANI Sacred Conversation 1524-30 Oil on canvas, 168 x 164 cm
5824 St Sebastian between St Roch and St Margaret kkj CARIANI St Sebastian between St Roch and St Margaret kkj Oil on canvas Mus??e des Beaux-Arts, Marseille
45559 The old of Artimino CARIANI The old of Artimino mk186 1648-51 Florez, Galleria Palatina
95741 Virgin Enthroned with Angels and Saints CARIANI Virgin Enthroned with Angels and Saints first half of 16th century Medium oil on canvas cyf

CARIANI
Italian Painter, ca.1490-1547 was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. His father, also Giovanni Busi, was born in Fuipiano Valle Imagna and was appointed a local magistrate for the Venetian authorities. His son, probably born in Bergamo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his Sacra conversazione with a youthful donor. While working in Bergamo (1517-1523),
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